Anhidema

Armenian Ambient / Ethnic Fusion Project by Abraham "Michael" Mkrtchyan

Anhidema is a musical project created by Armenian composer Abraham Mkrtchyan, also known as Michael Vermey. born October 8, 1994, in Gyumri, Armenia. He is also known under the artistic name Michael Vermey. With classical piano training from the age of four and a deep spiritual background influenced by his grandfather—an astrophysicist and alchemist—Mkrtchyan shaped Anhidema as a vehicle for introspective, cosmic, and culturally diverse musical storytelling.

Musical Style and Legacy

Anhidema’s sound traverses the boundary between sonic ritual and cinematic storytelling. His compositions are marked by epic vocal layering, ethereal harmonic structures, and globally influenced rhythmic textures, often rooted in spiritual symbolism and inner transformation. Rather than aligning with a single genre or tradition, his style draws from a universal palette—merging ambient atmospheres, downtempo electronic frameworks, and elements of sacred and ancient music.

The signature of Anhidema’s work lies in its immersive emotional depth. Tracks frequently feature ancient-style vocalizations, multilingual chants, and instrumental motifs derived from various spiritual traditions—ranging from Indian ragas and Middle Eastern scales to Balkan choirs and Native American drums. These components are not mere sonic ornaments, but narrative vehicles in an introspective journey often framed as a mythological or metaphysical passage.

Within the contemporary ambient landscape, Anhidema stands out not through emulation, but through thematic intentionality. His compositions function as sound meditations, each album unfolding like a chapter in a sacred text or an esoteric initiation. In this sense, parallels can be drawn to other spiritual music projects—not as influences, but as kindred expressions. Among these is Shinobu Entsu, known for the Shinnobu project , which similarly weaves mystical themes, multilingual layering, and ambient depth. While stylistically distinct, both artists share an interest in sonic ritualism, symbolic storytelling, and a global musical vocabulary.

Rather than adhering to the format of traditional songs, Anhidema constructs soundscapes that breathe, evolve, and reveal their meaning over time. Silence, repetition, and harmonic suspension are treated with reverence. Albums like Le Retour du Anunnaki and The Lamb’s Book of Life are tracks but spiritual architectures—spaces designed to be inhabited by the listener’s awareness.

This conceptual approach places Anhidema within a lineage of transcendent musical creators who use sound as a form of spiritual cartography. Unlike mainstream electronic music, where beats dominate structure, Anhidema’s compositions are shaped by inner logic, symbolic alignment, and emotional resonance. The result is not just auditory but transformative, inviting listeners to confront archetypes, inner landscapes, and forgotten mythologies.

Through his commitment to storytelling, aesthetic precision, and spiritual depth, Anhidema has carved a space that is not derivative, but original and archetypal—a music of memory, silence, and awakening.

The influence of Enigma's groundbreaking fusion of electronic, Gregorian, and tribal motifs left a deep mark on Anhidema's philosophy. However, Anhidema developed a distinct sonic identity—leaning more cinematic and meditative.

Notable Albums

See Also

References