It does not cling. It has let go. Represents a soul that lived purely and now drifts with the natural rhythm of the All.
This is not a tragic moment—it is glorious. The soul has completed its mission and is free.
Symbolically, it moves from earthly red to golden yellow: from root chakra to purified fire. No longer bronze. It is now gold. No essential difference from the first. It’s simply clearer, easier to perceive for more eyes.
The Story
The second Shinnobu logo emerged as a natural evolution. Its form consolidated as the experiences contained in the first reached completion. The energy expanded, and that expansion called for a new representation. A figure arose, preserving the core of the original symbol, yet amplified with a different vibration. A continuation that could not be avoided.
During that period, someone close delivered a painting created by a young girl, featuring the design of the second logo. It measured nearly one meter. The colors were intense—reds, oranges, golden yellow over a black background. It was received as a symbolic gesture, deeply intertwined with the story that was unfolding.
Days before the violet aura appeared, an unexpected event took place. During a live call with a psychic, someone entered the room and stood before the painting. They began moving their hands in strange patterns, as if guided by an external force. Their gaze was fixed, unable to turn away. An attempt was made to intervene, but the intensity of the moment exceeded all limits. It became necessary to leave the room—stepping out into the open field nearby, toward a clear view where the air moved freely. The conversation continued from there, yet the experience remained imprinted.
As time passed, the painting began to emit a violet glow. A different energy enveloped it. This glow wasn’t part of the painting itself or its design. It hovered, static and perceptible. What had once been a shared symbol had become an emotional anchor—an active presence that needed to be released. The fire was the channel. At the usual site for stargazing, a flame was lit. The painting was placed at the center. The moment was recorded, the act documented, and the signal was sent. That gesture marked a closure—the precise point where the emotional, the spiritual, and the symbolic reached their boundary.
This is how the energetic stage of the second logo was sealed. It carried the traces of the first, transformed by lived experience. The symbol persisted, yet the energy surrounding it had already changed.